Sarah Cameron Sunde Studio Donate to this artist
I make live performances and video art works at the intersection of performance art, video art, and public art. Aiming to break down barriers between humans and the more-than-human world, my projects combine formal aesthetics of Land Art on a monumental scale, Performance Art on an individual body scale, and Video Art on a digital scale with Socially-Engaged Practice in relationship to contemporary environmental concerns.
Time is my primary subject, both in content and form: I investigate ideas about “temporality of place” on local and global scales, create layered imagery that considers deep time, and work with duration and endurance. My work encourages audiences to slow down, have a sensory experience, and imagine new possibilities between the everyday and the existential while engaging within a community.
Three ongoing bodies of work are: 36.5 / A Durational Performance with the Sea (2013-present) is a global series where I stand in a tidal bay for a full tidal cycle and invite the public to stand with me; ACROSS AN EMPTY LOT: a temporary memorial to the empty space (2016 – present) is a site-specific hyper-local attempt to re-define the 21st century memorial as a temporal experience using projected video, oral tradition and community gatherings to investigate questions around changing space in an urban environment; PEAKS (2017-present) is a cumulative video work I am making with Joshua Dumas - we re-use everyday detritus to create a series of vast landscapes – to be shown consecutively, multi-channel, or three-dimensionally with performance activations.