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| Programs : Career : Special Topics : ERPA |
Welcome Artistic Entrepreneurs:
A full schedule of ERPA public dialogues is included below. RSVP is free, but space is limited and is available on a first-come-first-served basis. To RSVP now, please 'sign up' and 'check out' and just leave the credit card information blank. You will receive an email confirmation shortly there after.
To learn more about ERPA and view the Request for Proposals, please visit the ERPA Home Page.
  | Town Hall: Survive vs. Thrive
Economic Revitalization for Performing Artists (ERPA)
Town Hall: Survive vs. Thrive
Monday, June 23, 7pm
The FAR Space
521 West 26th Street, 2nd Floor
(Between 10th and 11th Aves in Manhattan)
How can artists make their best work and afford to live in New York City without collapsing from exhaustion? How can companies grow when funding is dwindling? Join us for a community discussion with veteran arts leaders. Learn about ERPA: The Field’s two-year entrepreneurial lab and re-grant opportunity that addresses the systemic challenges that stand in the way of the financial health and stability of New York performing artists. Spread the word and let your voice be heard!
Town Hall Panelists Include:
• Alyssa Alpine, Festival Coordinator, Celebrate Mexico Now
• June W. Choi, Philanthropy/Nonprofit Management Professional (most recently with Rockefeller Philanthropy Advisors)
• Penelope Dannenberg, Director of Programs, New York Foundation for the Arts
• Jaki Levy, Director of New Media, Misnomer Dance Theater
• Tamara Greenfield, Executive Director, Fourth Arts Block
• Gregory Kandel, Founder and Partner, Management Consultants for the Arts, Inc
ERPA is funded by the Rockefeller Foundation’s 2008 New York City Cultural Innovation Fund.
| Regular Price: $0.00
Member Price: $0.00 | |
| | Invention Session #1: Galapagos
Starving Artist: Fact or Fiction: Non-Profit Doesn’t = No Money
Tuesday, September 16, 2008, 7:30-9:30pm; reception to follow
Galapagos Art Space (RSVP is now closed - but WALK UPS ARE WELCOME!!!)
What makes us think that we're a 'sell out' if we make money from our art? Why do we seem to believe that we must suffer to make great art, yet we pine away for the seemingly Utopian government sponsored art cultures of Berlin and Brussels? Is there something inherently hierarchical and damaging in the 'gift economy' that the arts and philanthropy work in? The non-profit model that most artists use may not be the best model for our work, yet we gravitate to it like lemmings. What about being for-profit or for-benefit? What do those things even mean? What about LLCs and L3Cs and what about a blend model?
Join The Field and Galapagos in a lively free discussion about the dysfunctional psychology of the non-profit model, and learn about potential alternative business models that might serve you and your work better. Learn about The Field’s Economic Revitalization for Performing Artists (ERPA) project and how you can apply to participate in ERPA’s entrepreneurial lab.
Moderated by Sara Juli, Performance Artist, Director of Development at Dance Theater Workshop
Panelists:
• Robert Elmes, Director, Galapagos Art Space
• Amanda Clayman, Financial Wellness Program, The Actors Fund
• Chris Ajemian, Artist, Entrepreneur
• Brian Newman, CEO, Tribeca Film Institute
Biographies:
Chris Ajemian writes and directs new works and is the founder of CATES LLC, an international tutoring & test prep agency based in New York City that provides dedicated artists with high-paying and fulfilling freelance jobs. His directing work has been seen at PS 122, Joyce SoHo, FringeNYC, Ontological-Hysteric, the American Dance Festival, Actors Theater of Louisville, Napa Valley Opera House, Nooderzon Festival (Netherlands), ArtsHouse (Melbourne) and The Edge (New Zealand). Chris has also developed new projects in collaboration with the Radmin Company, Anonymous Content, NBC, CBS and Paramount Studios. Upcoming: the World Premiere of Sara Juli's DEATH at PS 122 in October.
Amanda Clayman, L.M.S.W. is a pioneer in the field of financial wellness. Financial wellness is a way of understanding and accepting the role that money plays in everyday life. It includes feeling competent making financial decisions and communicating about money with friends and loved ones from a place of clarity and purpose. It is not about building wealth per se, but centers on principles of self-care and self-determination. In her role at The Actors Fund, Amanda counsels individuals and couples and has developed a number of workshops that support the unique financial challenges facing entertainment and performing arts professionals.
Robert Elmes is the Founder and Director of Galapagos Art Space. Since 1995 Galapagos has played an important role in defining New York's cultural ecosystem. The New York Times called Galapagos "an ever- growing cultural oasis," Time Out New York called it an "essential element of New York City," and The Village Voice wrote that Mr. Elmes is "building a cultural movement brick by brick." Robert is originally from Vancouver, Canada, and freely admits that he really really likes hockey.
Sara Juli lives in Brooklyn and is both an active artist and arts administrator. Her innovative solo work has been performed at numerous New York City venues including Performance Space 122, The Ontological Theater, Danspace Project and many others. Nationally she has performed her work at the American Dance Festival, Connecticut College, University of Nevada/Reno and the Napa Valley Opera House. Internationally she has toured her work to The Netherlands, Australia and New Zealand. Her piece, The Money Conversation, where she gives away $5,000 in cash to audiences every night, has generated interest around the globe on the topic of money and the “starving artist.” Sara also works as the Director of Development at Dance Theater Workshop where she is responsible for the institutions fundraising program including institutional giving, individual giving, Board development, gift stewardship, planned giving, and cultivation of donors.
Brian Newman was recently named the President & CEO of the Tribeca Film Institute (TFI) as the result of a combination between Renew Media and TFI. As a combined organization, the primary objective is to create one institution dedicated to innovation in film and media, the enrichment of audiences and the promotion of education, understanding and creativity through the media arts. TFI now gives approximately $1.25 Million annually to filmmakers and media artists through grants and fellowships in the United States and Mexico, in addition to other programs for media artists, youth and the general public. Newman was Executive Director of IMAGE Film & Video Center in Atlanta for five years, overseeing the Atlanta Film Festival among other programs. Previously he held positions at the IFP and the South Carolina Arts Commission. Brian also serves on the editorial advisory board for Art Papers magazine and the steering committee of Grantmakers in Film & Electronic Media (GFEM). Newman has an MA in Film Studies from Emory University.
Location: Galapagos Art Space, 16 Main Street, Brooklyn (DUMBO)
Venue Information: http://www.galapagosartspace.com/directions.htmlSubway Directions: Take the A/C train to High Street (1st stop in Brooklyn). Coming out of the subway (there is only one exit) cross the street and walk 100 steps through the beautiful little park to Washington Street. Turn left to walk down the hill 4 short blocks to Water Street, turn left and we’re on the next corner, at 16 Main Street. Or, take the F train to York Street (1st stop in Brooklyn). Coming out of the subway (there is only one exit) turn right and walk down the hill on Jay Street 1 block to Front Street, turn left and walk 4 blocks to Main Street, turn right and we’re on the next corner, at 16 Main Street.
| Regular Price: $0.00
Member Price: $0.00 | |
| | Invention Session #2: Joe's Pub
No more Grants and Grandma: Alternatives to traditional fundraising: Microfinance, venture capitalism, patient capital, art investment funds and other ways to make money for your art
Tuesday, September 30, 2008, 11:30am-1pm (doors open at 11am for coffee - a free cup of joe!!!)
Joe’s Pub
Thank you to those who have already RSVP'd. Your reservation is confirmed and RSVP is now closed. Walk ups for this event are available on a first-come-first-served basis...so please join us!
If the majority of New York's ambitious performing artists will never attain financial stability from grants and individual donations, what are some other ways we can build financial stability? What are microfinance, venture capitalism, entrepreneurship, patient capital and investment funds? What do these things mean and how can we successfully modify them to meet our singular needs? Hear from experts in these fields and learn how you can appropriate their solutions for your art-making.
Join The Field and Joe’s Pub in a lively discussion about new ways to make money. Learn about The Field’s Economic Revitalization for Performing Artists (ERPA) project and how you can apply to participate in ERPA.
Moderated by Jonah Bokaer
Panelists:
Location: Joe’s Pub, 425 Lafayette Street between East 4th and Astor Place
Venue Information: http://www.joespub.com/content/view/21/36/
Directions: Subway? Take the 6 train to Astor Place at Lafayette Street or the N/R/W train to 8th Street at Broadway. Driving? There is a parking garage at 403 Lafayette Street, just south of The Public Theater.
Biographies:
Catherine Barnett assists the Executive Director in all aspects of running Project Enterprise. She oversees PE’s program operations citywide, pertaining to recruitment, training and ongoing technical assistance to PE's member entrepreneurs. At various times during her career at PE, she served as a Center Manager in Harlem, Brooklyn, Queens and the Bronx; and oversaw PE’s individual donor strategy. Ms. Barnett has eight years of experience in marketing and corporate communications. While earning her MBA she designed marketing research plans for several minority and women-owned businesses. Previously, Ms. Barnett was a volunteer with the Sisters Lending Circle program of the Central Brooklyn Partnership, helping the program develop and implement a curriculum, identify necessary financial and community resources, and facilitate weekly meetings of low-income women entrepreneurs in Brooklyn, NY. She is fluent in Spanish and French and holds an MBA from the Stern School of Business at New York University and a BA from the University of Pennsylvania.
Jonah Bokaer is an award-winning choreographer and media artist. While working as a dancer in the Merce Cunningham Dance Company, Bokaer completed a double concentration in Visual & Media Studies The New School, through combined studies at Cornell University, Parson School of Design, and NYU Performance Studies. He presently creates his own choreography, digital art, and installations in Brooklyn, New York, which have been presented throughout the United States and abroad, including venues in Denmark, France, Germany, Switzerland, Thailand, and elsewhere. Bokaer also choreographs the Operas of theater artist Robert Wilson. Concurrent to dancing and choreographing, Bokaer was involved with the conception and development of two non-profit cultural institutions in Brooklyn: Chez Bushwick (Founding Director, www.chezbushwick.net) and CPR - Center for Performance Research (Co-Founder, www.cprnyc.org). Both organizations maintain an aggressive commitment to serving creative New Yorkers at affordable prices, while harnessing the power of economic development to sustain affordable workspace in New York City at the municipal level. Fundraising has been adventurous, highly unconventional, and sustainable for both organizations. Bokaer is a 2008-2009 Young Leader of the French American Foundation, the in 2007 Gallery Installation Fellow of Dance Theater Workshop, and a 2006-2007 grantee of the Foundation for Contemporary Arts. He currently serves on the Board of Dance Theater Workshop, the Artists Advisory Board of Danspace Project, and the Advisory Committee of Dance/NYC.
Chris Elam founded Misnomer Dance Theater, a NYC-based modern dance company founded in 1998. Misnomer was noted by the New York Times for creating “one of the top ten dance performances in NYC for 2006”, a show that earned Misnomer a position as one of “25 to Watch” for 2007 in Dance Magazine. Misnomer has performed in over 250 theaters in the USA, Indonesia, Turkey, Ireland, Brazil, France, and the Ukraine, and has presented 6 NYC seasons with support from frequent residencies, most notably at the Baryshnikov Arts Center, NYU’s Skirball Center, and The Joyce Theater Foundation. Elam’s artistic voice was recognized by his nomination for the national 2008 Alpert Awards for Excellence in Choreography, while the breadth of his work is exemplified by the range of his artistic collaborators, including the musical artist Bjork, the documentary team at the Sundance Channel, the Danish Dance Theatre, and Apple Computers. In addition, Elam’s work with Misnomer has led to the development of innovative online models to help performing artists make better use of web technologies. Elam advocates methodologies that bring audiences deeper into the performing arts experience and in 2008 is speaking on the subject of technology’s influence on audience engagement at conferences held by Fortune Magazine, Technology in the Arts, Arts & Business Council of NY, Dance USA, and PopTech. These efforts both complement and advance the company’s core artistic vision, which is, broadly, to engage its dancers and audiences in the experience and understanding of human interaction and intimacy. Elam is an active teacher, having worked in over fifteen universities, and is a world traveler, who has lived for extended periods within numerous dance communities worldwide ranging from Indonesia to Cuba. He received his undergraduate from Brown University and graduate degree from New York University. Please join Misnomer for the World Premiere of BEING TOGETHER, three original dances choreographed on the Summer Stages Dance / Baryshnikov Arts Center residency, with live original music by Evan Ziporyn. The show runs December 4-7 & 11-14 at the Joyce SoHo (tickets: www.joyce.org). There is a benefit performance and reception on December 5th. To learn more about Misnomer, and join of e-newsletter email list, please visit www.misnomer.org.
Heather Rees established Venture Philanthropy Fund in early 2008 to address funding challenges for social entrepreneurs while engaging fellow New Yorkers as social investors. Prior to her foray into philanthropy, Heather enjoyed working between the for- and non-profit sectors including her years of designing and implementing development projects and programs, establishing campus organizations and working on socio-economic issues worldwide. She has also worked as a consultant and volunteer with organizations such as the Fair Trade Foundation, Artisans United for the Development of Atitlan and the Business Council for Peace. Heather received her bachelor's degree in Political Science from UNC-Chapel Hill and a MSc in Gender, Development and Globalization from the London School of Economics.
Esther Robinson has worked on behalf of America's artists for over 14 years in many capacities, including foundation program officer, television and film producer, and technology entrepreneur. She is the founder of ArtHome, a non-profit business that helps artists and their communities build assets and equity through financial literacy and home-ownership. From 1999 to 2006 Esther was the Director of Film/Video and Performing Arts for the Creative Capital Foundation and one of the principal architects of its innovative grant-making system. Established in 1999, Creative Capital provides funding to individual artists in media, performing, and visual arts, as well as emerging fields such as internet art, digital media, and work that combines science and creativity. Transforming the traditional role of grant-maker, Creative Capital pioneered a multi-faceted system of support for artists that includes working in long-term partnerships, providing advisory services and professional development assistance as well as traditional financial support. Esther's experience at Creative Capital made her intimately aware of the financial reality of working artists’ lives. Her close collaboration nationally with funders and artists and her annual adjudication of up to 1800 Creative Capital grant proposals (of which only two dozen would see funding), led her to question whether traditional grantmaking was the most effective way to support a stable and thriving culture sector in America. Recognizing the crucial role that financial solvency and home ownership had played in the lives of successful artists she had met across the country, Esther became convinced that home-buyer education and financial literacy should be vital components of a new support system for the arts. Determined to build a program that makes measurable change in the lives of individual artists, has broad impact regardless of aesthetic or cultural trends, and that builds vital communities both in and outside the cultural sector, Esther founded ArtHome. While developing ArtHome, Esther spent two years researching home-buying programs, low-income loan products, financial literacy curriculum and low-income wealth building strategies. She has built a strong advisory board of artists, arts funders, community development leaders, artist housing experts, bankers, and financial experts. She has been involved in numerous community development conferences and pursued professional development opportunities in financial literacy and homebuyer education. These have included intensive training through NeighborWorks(r) America's Training Division, where she acquired skills to deliver a comprehensive homebuyer education program based on the curriculum that NeighborWorks organizations use to turn prospective homebuyers into homeowners. Prior to this in 1995, Esther realized the goal of producing a national television series before her 25th birthday with Alive TV, a PBS series dedicated to alternative film, video, animation and experimental documentary. She was series producer for two full seasons at Alive TV including the eleven country co-production, Still/Here, a Cable Ace award nominee in 1996. In addition, she oversaw acquisitions, new program development and created the Alive TV web site. In 1998, Esther co-founded Wavelength Releasing, a company formed specifically to address new forms of content production, distribution, and exhibition. Wavelength Releasing partnered with esteemed companies such as CYBERSTAR (a division of LORAL), Texas Instruments, The Independent Film Channel, and others. Its projects were profiled in The Wall Street Journal, Forbes, Variety, on CNN financial News and over 100 other print and media outlets. Wavelength Releasing was responsible for the first fully digital film release, executed via satellite to five cities in October 1998. It was also responsible for the highly successful multi-platform release of The Last Broadcast - the first ever desktop feature - a $900 movie that went on to gross over a million US. dollars internationally. Wavelength Releasing served as a new media consultant for the 1999 Sundance Film Festival. Concurrently in 1998, Esther produced the feature documentary HomePage with acclaimed filmmaker Doug Block, which screened in competition at the 1999 Sundance Film Festival, Rotterdam Film Festival, SXSW, and more. It also aired domestically on HBO/CINEMAX and ZDF/ARTE in Europe, and over a dozen countries internationally. In addition to ArtHome, Esther is also finishing her first film: The Danny Williams Story (working title). This feature-length documentary chronicles her search to uncover the facts surrounding the mysterious 1966 disappearance of her uncle, Danny Williams and her discovery of 20 never-before-seen films made by her uncle while at the Warhol Factory.
| Regular Price: $0.00
Member Price: $0.00 | |
| | RFP Information Session #1: The Foundation Center
Grant Opportunity Information Session: Economic Revitalization for Performing Artists (ERPA)
The Foundation Center
Saturday, October 4, 2008, 12-1pm
The Foundation Center
79 Fifth Avenue, at 16th Street, New York, NY
Come learn about The Field's new funding program/entrepreneurial lab for performing artists to build new income streams. ERPA actively pairs artists with experts in the for- and non-profit sectors to brainstorm, plan and implement innovative, replicable and sustainable solutions for financial stability. Up to ten artists/companies will be selected to participate in a paid nine-month research and development program. From this group up to six artists/companies will be selected for a second nine-month project implementation program and will receive $5,000-$25,000 in re-grant funds. Download the application and guidelines here. Application is due Thursday, November 6th by 5pm.
Venue Information: http://foundationcenter.org/newyork/
Directions: Take the N/R/Q trains to Union Square, the 1 train to 14th or 18th Street at 7th Avenue, or the F train to 14th Street at 6th Avenue.
| Regular Price: $0.00
Member Price: $0.00 | |
| | RFP Information Session #2: BAAD!
Grant Opportunity Information Session: Economic Revitalization for Performing Artists (ERPA)
BAAD!
Tuesday, October 7, 2008: 6-7:30pm
841 Barretto Street, 2nd Floor, Bronx, NY
Come learn about The Field's new funding program/entrepreneurial lab for performing artists to build new income streams. ERPA actively pairs artists with experts in the for- and non-profit sectors to brainstorm, plan and implement innovative, replicable and sustainable solutions for financial stability. Up to ten artists/companies will be selected to participate in a paid nine-month research and development program. From this group up to six artists/companies will be selected for a second nine-month project implementation program and will receive $5,000-$25,000 in re-grant funds. Download the application and guidelines here. Application is due Thursday, November 6th by 5pm.
Venue Information: http://bronxacademyofartsanddance.org/directions.htm
Directions: Take the 6 train to Hunts Point Avenue. Cross under the Bruckner Expressway to Garrison Avenue (1 block). Make a right onto Garrison Avenue and walk two blocks to Barretto Street. Make a left onto Barretto Street and walk up to middle of block to BAAD! on the right hand side, red door. Take the 2/5 trains to Simpson Street. Walk along Southern Blvd. until it intersects with 163rd Street and Hunts Point Avenue. You will see the elevated Bruckner Expressway. Cross under the Bruckner Expressway until you reach Garrison Ave. Make a right on Garrison Ave and walk two blocks to Barretto Street. Make a left onto Barretto Street and walk up to middle of block to BAAD! on the right hand side, red door.
| Regular Price: $0.00
Member Price: $0.00 | |
| | Invention Session #3: Chez Bushwick
Artist or Cultural Entrepreneur?
Thursday, October 9, 2008, 8:30-10pm
Chez Bushwick
RSVP for this event is now closed. Thank you to those who RSVP'd in advance.
WALK UPS ARE WELCOME on a first-come-first-served basis...so please join us!
In any economy, being a professional artist really means that you are on a path to one of three possibilities: (1) get hired by an established artist or company, (2) be a pickup artist (i.e. self-employed freelancer), or (3) start your own company. In all of these cases, you are an entrepreneur with an emerging micro-enterprise – your art. And as the term entrepreneur implies, you have to be willing to take full risk and reward for your new enterprise. However, it seems that we often shy away from taking our work as seriously as we could to optimize our success. Instead of thinking of it as “selling out”, is there a way to buy in? Can we learn to get organized, plan our businesses, and think about our growth, audiences, finances and work as the entrepreneurial enterprises that they are? Are there tools we can learn to use that might guarantee a higher probability of success, sustainability and aesthetic risk taking? Is there a way to be both pragmatic and artistic?
Join The Field and Chez Bushwick in a lively discussion with working artists and social/cultural entrepreneurs about entrepreneurship, and how you can appropriate these skills and ideas for your own business. Learn about The Field’s Economic Revitalization for Performing Artists (ERPA) project and how you can apply to participate in ERPA.
Moderated by Morgan von Prelle Pecelli, Artistic Director, Emerging Artists, 3LD Art & Technology Center and Founder, The Lost Notebook
Panelists:
• Ryan Fix, Founder, The Pure Project
• Lara Galinsky, Vice President of Strategy, Echoing Green
• Jmy Leary, Dance Artist
Biographies:
Ryan Fix moved to NYC in 1998 with a small bag and $700 cash. He lived on a sofa. Fix started his career on wall street working on a trading floor and subsequently moved into real estate development. While excelling at both, he desired something more fulfilling. With a growing awareness of the global imperative for sustainable development and a deepening passion for creative practice, Fix developed `the pure project,´ an idea incubator and creative consulting collective which blends creative practice, social entrepreneurship, and sustainable initiatives.
Lara Galinsky is the Vice President of Strategy at Echoing Green. Lara's portfolio consists of marketing and communications, evaluation, thought leadership, alliances, strategic planning, and internal capacity building. She also co-authored Be Bold: Create a Career with Impact (2006). Most recently, Lara Galinsky worked as the director of National Programs at Do Something, Inc., working with over 20,000 educators to inspire 4 million young people to get involved in their communities and develop vital leadership skills. Before that, Lara launched the BRICK Award, which annually honors and funds the most outstanding young community leader. Lara graduated Phi Beta Kappa from Wesleyan University and has completed executive programs at Columbia University business School and Georgetown University's School of Public Policy. She serves as a board member for the Nonprofit Workforce Coalition and the Fast Forward Fund and board chair of StartingBloc. She recently graduated from Coro's Leadership New York program and is attempting a second book for Echoing Green.
Jmy/JM/Jm/Jbird/Jamm Leary b. 1979, San Francisco, CA. She is now a dancer for luciana achugar, Nancy Meehan Dance Co., Dance by Neil Greenberg, Walter Dunderville, Biba Bell, Felicia Ballos, and The Stanley Love Performance Group and has previously been a dancer for Mel Wong Dance Company, Merce Cunningham 2nd Company, and Nancy Garcia. Her design company Icon has costumed the work of Anna Sperber, John Jasperse, luciana achugar, and RoseAnne Spradlin. She produces AUNTS events, a punk-rock presenting and social infastructure for dance. With Biba Bell, Felicia Ballos and Robert McNeill she is the performing group MGM Grand that tours throughout the USA kinda like a band.
www.moderngaragemovement.com
www.myspace.com/aunts
Morgan von Prelle Pecelli has been a curator, producer, anthropologist and performing artist in New York City and internationally since 1999. She is Artistic Director for Emerging Artists at 3LD Art & Technology Center (www.3ldnyc.org). She is the Founder of the Lost Notebook, an arts initiative dedicated to discovering new ways of making compositional theater economically sustainable (www.lostnotebook.org). She is on the Board of the Ontological-Hysteric Theater where she was the Managing and Programming Director from 2004 – 2006 and started the Ontological-Hysteric Incubator (www.ontological.com). She is completing her PhD in Anthropology at Columbia University.
Location: Chez Bushwick, 304 Boerum Street, #11, Brooklyn (Bushwick)
Subway Directions: Take the L train to Morgan Avenue, from Manhattan exit the back of the train, turn left outside the station, turn left onto Boerum Street to #304 Boerum. Chez Bushwick is roughly less than 80 steps from the subway station.
| Regular Price: $0.00
Member Price: $0.00 | |
| | RFP Information Session #3: Topaz Arts
Grant Opportunity Information Session: Economic Revitalization for Performing Artists (ERPA)
Topaz Arts
Saturday, October 18, 2008: 1-2:30pm (doors open at 12:30pm)
55-03 39th Avenue (between 55-56th Streets), Woodside, NY
RSVP for this event is now closed, but walk-ups are welcome.
Come learn about The Field's new funding program/entrepreneurial lab for performing artists to build new income streams. ERPA actively pairs artists with experts in the for- and non-profit sectors to brainstorm, plan and implement innovative, replicable and sustainable solutions for financial stability. Up to ten artists/companies will be selected to participate in a paid nine-month research and development program. From this group up to six artists/companies will be selected for a second nine-month project implementation program and will receive $5,000-$25,000 in re-grant funds. Download the application and guidelines here. Application is due Thursday, November 6th by 5pm.
Venue Information: http://www.topazarts.org/TPZdirections.html
Direction: Take the 7 train to 61st Street/Woodside. When you exit the station, you'll be at the corner of Roosevelt Avenue & 61st Street. Go right along 61st Street to go one block to 39th Avenue. Make a left at 39th Avenue and walk 6 blocks towards 55th Street. Topaz Arts is on 39th Avenue between 55th & 56th Streets. Take the G/R/V trains to Northern Boulevard. From the back of the train, exit the station and continue in the same direction of the stairs onto 54th Street. Go 3 blocks to 39th Avenue. Make a left at 39th Avenue and go one block to 55th Street. Topaz Arts is just off the corner of 39th Avenue & 55th Street.
| Regular Price: $0.00
Member Price: $0.00 | |
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